Category: Press

“Farrell plans to meld live music and sumptuous street food with visual media, theatrical production, special effects, and other immersive storytelling elements (the kind used to design sophisticated theme park attractions) to transport visitors to a mythical Southeast Asia outpost dubbed Kind Heaven. It’s a $100-million gamble in a city that embraces the audacious.

It’s a bit difficult to succinctly describe the concept, but Farrell takes a stab at it. ‘I consider Kind Heaven to be a great social experiment,’ he says. ‘One in which Las Vegas excitement plays off the latest technologies, while various live entertainment platforms perform as a symphony.’ …”

“Kind Heaven is the advent of an entirely new medium for experiencing culture and adventure through immersive 360 omnichannel entertainment. This groundbreaking destination and revolutionary movement combine cutting edge technology with Hollywood style storytelling to transport audiences to a new world where they will experience the best of Southeast Asian culture, art, music, food and fashion via various state-of-the-art multisensory platforms on and offline.

Created by Lollapalooza’s founder and Jane’s Addiction frontman, Perry Farrell, prolific film producer, Cary Granat and special effects legend, Ed Jones, Kind Heaven is the first ever genuine ‘all senses’ communal experience where guests will encounter extraordinary sights, sounds, touch, tastes and smells, as well as danger, mystery, intrigue, inspiration and spiritual enlightenment as they choose their own journey and participate in the magic of discovery again and again. 

Visit KindHeaven.com to sign up for more updates.”

The Coyote Ugly Saloon, the East Village bar that became an early 2000s cult film, proved it takes work to keep a wild reputation alive. On a Sunday in January, about 350 guests celebrated the bar’s 25th anniversary at a party that included appearances from a contortionist, Times Square’s Naked Cowboy and a performance from the rapper Justina Valentine.

“It’s the year of the woman,” Ms. Valentine declared from atop the bar to the crowd of former bartenders, regulars, some who have been patrons since the 90s,and fans of the film. “It’s the decade of the woman.”

The owner, Liliana Lovell, was there catching up with the customers who frequented her saloon 25 years ago, when she was the one dancing on the bar. “It’s like getting into an old shoe,” she said about being back…

 was not the prettiest bartender at the Coyote Ugly Saloon. In my opinion, that would have been Caroline. I was partial to Caroline, though, because she had been so nice to me when I began working here. She was very pretty and also very funny. When I asked Caroline how she’d gotten her first bartender job, she cupped her breasts and said simply, “These.” (On first glance, however, Caroline’s breasts didn’t seem exceptional, and I said as much. She unzipped her bulky sweatshirt and showed them to me. Then I said, “Oh.”)

Still, some regulars would have insisted that the prettiest bartender at the Coyote Ugly Saloon was Chris, who had sassy short hair like a boy’s and a heart-stopping midriff. Of course, there was also Jackie to consider. Jackie was very pretty. Jackie was also famous for tossing shots of rum into her mouth, holding a lighter to her lips and blowing ten-foot bursts of flame across the room. There was definitely a cult of Jackie. Molly was pretty in a way that attracted the downtown crowd, and Dawn was pretty in the way that bikers like. And as for Jessie? Jessie was practically an objet d’art. Jessie was so goddamn pretty that it barely counted. One of the many regulars who fell in love with Jessie dated her a few times. She broke it off quickly. But he would still come into the Coyote Ugly Saloon every night, just to talk about her…